Part I: New Void
Not so quiet in the void
Not so quiet in the void
88&99.00 (1)
88&99.00 (1)
88&99.00 (2)
88&99.00 (2)
the morningstar was a sign to leave (2)
the morningstar was a sign to leave (2)
the morningstar was a sign to leave (2)
the morningstar was a sign to leave (2)
8 de spade
8 de spade
Many of us pass through the dark but some just stay with it, and it feels so genuine to say that my words don’t make any sense anymore or that they never did. Maybe they never will but maybe someone will finally get it. One day just sitting in the dark, the stars will look at me again and say that it’s over or one day just sitting in the dark I will see myself without a mirror to portray me and I will tell myself that it’s over. 
Or maybe that it just began. 
Because there’s an entirely new void to explore.
Part II: How To Kill The Right Side Of The Brain
A never-ending cycle of doubt, self-sabotage and creative exhaustion. The artist became all aspects of their own creative struggle.

It presented the artist as both a destructive force and a vessel of expression, a tool of self-pity and a reminder of their insecurity. They became the cause of their destruction and the only ones that got to witness it happen in real time.

The creative space became a one-man show in which the artist played the role of the bullet, the victim, the murderer, the witnesses and the grievers of their own loss.

The scene transformed into a self-portrait of the artist’s psyche and the artistic process, presenting creation as a brutal, solitary cycle of destruction and rebirth in the world that demanded constant innovation from them.

Until the mind finally gave in.

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